Onomatopoeia: The Echo of Sound in Language

I. Defining Onomatopoeia II. The Mechanics of Onomatopoeia III. The Purpose and Effects of Onomatopoeia IV. Types and Categories of ...
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Oxymoron: A Concise Confluence of Contradictions

I. Defining Oxymoron II. The Mechanics of Oxymoron III. The Purpose and Effects of Oxymoron IV. Types and Categories of ...
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Alliteration: A Symphony of Initial Sounds

I. Defining Alliteration II. The Mechanics of Alliteration III. The Purpose and Effects of Alliteration IV. Types and Categories of ...
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Amplification: The Art of Expansive Discourse

I. Defining Amplification II. The Mechanics of Amplification III. The Purpose and Effects of Amplification IV. Types and Categories of ...
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Anagram: The Art of Metagrammatic Transmutation

I. Defining Anagrams II. The Mechanics of Anagram Creation III. The Purpose and Effects of Anagrams IV. Types and Categories ...
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Asyndeton: The Power of Omission

I. Defining Asyndeton II. The Mechanics of Asyndeton III. The Purpose and Effects of Asyndeton IV. Types and Categories of ...
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Bathos: The Perilous Plunge from Grandeur to Grotesquerie

I. Defining Bathos II. The Mechanics of Bathos III. The Purpose and Effects of Bathos IV. Types and Categories of ...
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Caesura: The Artful Pause in Verse

I. Defining Caesura II. The Mechanics of Caesura III. The Purpose and Effects of Caesura IV. Caesura in Classical Poetry ...
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Setting: The Foundation of Narrative Worlds

I. Defining Setting II. The Components of Setting III. The Functions of Setting IV. Setting as a Backdrop V. Setting ...
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Distancing Effect: Alienating for Illumination

I. Defining the Distancing Effect II. The Mechanics of the Distancing Effect III. The Purpose and Effects of the Distancing ...
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