Onomatopoeia: The Echo of Sound in Language
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I. Defining Onomatopoeia II. The Mechanics of Onomatopoeia III. The Purpose and Effects of Onomatopoeia IV. Types and Categories of ...
Read moreOxymoron: A Concise Confluence of Contradictions
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I. Defining Oxymoron II. The Mechanics of Oxymoron III. The Purpose and Effects of Oxymoron IV. Types and Categories of ...
Read moreAlliteration: A Symphony of Initial Sounds
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I. Defining Alliteration II. The Mechanics of Alliteration III. The Purpose and Effects of Alliteration IV. Types and Categories of ...
Read moreAmplification: The Art of Expansive Discourse
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I. Defining Amplification II. The Mechanics of Amplification III. The Purpose and Effects of Amplification IV. Types and Categories of ...
Read moreAnagram: The Art of Metagrammatic Transmutation
I. Defining Anagrams II. The Mechanics of Anagram Creation III. The Purpose and Effects of Anagrams IV. Types and Categories ...
Read moreAsyndeton: The Power of Omission
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I. Defining Asyndeton II. The Mechanics of Asyndeton III. The Purpose and Effects of Asyndeton IV. Types and Categories of ...
Read moreBathos: The Perilous Plunge from Grandeur to Grotesquerie
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I. Defining Bathos II. The Mechanics of Bathos III. The Purpose and Effects of Bathos IV. Types and Categories of ...
Read moreCaesura: The Artful Pause in Verse
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I. Defining Caesura II. The Mechanics of Caesura III. The Purpose and Effects of Caesura IV. Caesura in Classical Poetry ...
Read moreSetting: The Foundation of Narrative Worlds
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I. Defining Setting II. The Components of Setting III. The Functions of Setting IV. Setting as a Backdrop V. Setting ...
Read moreDistancing Effect: Alienating for Illumination
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I. Defining the Distancing Effect II. The Mechanics of the Distancing Effect III. The Purpose and Effects of the Distancing ...
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